Tag Archives: sword and sorcery

Catching up again on comics

The Batfamily, late 2011

The "Batfamily"

In addition to celebrating the holidays and catching up on movies in the past few weeks, I picked up comic books at New England Comics, Newbury Comics, and The Outer Limits near Boston. There's still a sense of community at these shops that no digital subscription can yet replace.

My tastes run toward mainstream superhero comics, which I've been sharing with college chum David I.S. in return for some indie and horror titles. Despite controversies around its revised continuity and treatment of female creators and characters, I've enjoyed much of DC Comics, especially its various Batman titles. Detective Comics, Batman and Robin, Batwoman, and Birds of Prey are among my favorites, with a young Superman in Action Comics and the latest attempt to refocus Wonder Woman coming close behind.

On the Marvel Comics side, I'm still following Captain America, even if I can't keep up with the various teams of Avengers and X-Men. Of the indie comic books I'm getting or looking forward to, I like sword and sorcery (Conan, Red Sonja), high fantasy (Mouse Guard and Avatar: the Last Airbender), steampunk and pulp (Zorro), some humor (Muppets and Liberty Meadows), and science fiction (Warlord of Mars and Flash Gordon).

Dave and I are looking forward to TV adaptations of Powers and other comics and graphic novels, not to mention upcoming movies and direct-to-DVD releases such as Justice League: Doom. We'll have no shortage of viewing or reading material for 2012!

Swashbuckling cinema

The late Bob Anderson

Sword master Bob Anderson

Over the holidays, I caught up a bit on movies on DVD, in theaters, and on cable television. While spending Christmas with my in-laws, I saw the 1934 version of The Scarlet Pimpernel and 2011's Cars 2 and Pirates of the Caribbean [4]: On Stranger Tides.

I've seen other adaptations of the Orczy stories, but the black-and-white Scarlet Pimpernel is noteworthy because of its reflection of Anglo-American concerns about dictatorship and war in Europe and as a forerunner to characters such as Zorro and Batman. Speaking of swashbuckling, fellow fans of everything from Errol Flynn's films to Star Wars, Highlander, The Princess Bride, and The Lord of the Rings should note the passing of sword master Bob Anderson.

Cars 2 was reasonably entertaining, with nicely rendered international backgrounds (not unlike Kung-Fu Panda 2) and an espionage-flavored plot. The character development and pathos weren't at Pixar's usual level, but I'd still give the computer-animated flick a B+, three stars, or a 7.5 out of 10. My favorite animated movies of the past year or so include The Illusionist, Rango, and Winnie the Pooh, and I look forward to The Secret World of Arrietty, The Pirates! Band of Misfits, and Pixar's next, Brave, in 2012.

Pirates 4 was better than its muddled predecessor At World's End, with a more linear plot involving the Fountain of Youth, less pointless backstabbing and visual effects, and somewhat less mugging by star Johnny Depp. The romantic subplots were still extraneous but less annoying, and Penelope Cruz as pirate Angelica and Ian McShane as the notorious Blackbeard were worthy foils to Depp's Capt. Jack Sparrow and Geoffrey Rush's Capt. Barbossa. Not surprisingly, Disney's On Stranger Tides leaves the door open for yet more sequels. I'd give it a B, 7 out of 10, or three stars.

I have yet to watch other recent swashbucklers, including Sinbad: the Fifth Voyage, the reboot of Conan the Barbarian, and the latest Three Musketeers. On TV, I enjoyed the latest Star Wars marathon and rewatching David Lynch's adaptation of Dune for the umpteenth time. As David I.S. and I have noted, it's OK for fans to turn to the visual equivalent of "comfort food" from time to time.

As previously mentioned, Janice and I also screened The Adventures of Tintin: Secret of the Unicorn at the Showcase Cinemas de Lux at Legacy Place in Dedham, Massachusetts, and we met Thomas K.Y. & Kai-Yin H. and Beruk A. for The Artist at the Kendall Square Cinema in Cambridge.

I'm somewhat familiar with the young hero of Belgian artist Herge's comic books, and Stephen Spielberg and Peter Jackson's adaptation is fairly faithful. I liked Tintin's globe-trotting, 1930s adventures (similar to those of Indiana Jones), and the "uncanny valley" of realistically animated humans didn't bother me as it does with Zemeckis' works, partly because they were slightly caricaturized. I'd give Secret of the Unicorn a solid B, three stars, or 7.5 out of 10.

The apparent theme of many of the movies I've mentioned here is that retro films, especially swashbucklers, never truly go out of style. The Artist is no exception, both following and paying homage to the tropes of the silent era. The French film is set in Hollywood of the late 1920s and early 1930s and follows the charismatic George Valentin (Jean Dujardin as an analogue for Rudoph Valentino) and young actress Peppy Miller (played by Berenice Bejo) as their industry deals with changing technology and audience tastes. Valentin's dog steals the show. I definitely recommend The Artist, which I'd give an A-, or four out of five stars, or 8.5 out of 10.

What were your favorite movies of the past year? I didn't get to theaters quite as often as in previous years. In addition to those mentioned above, I liked The Mighty Thor, Captain America: the First Avenger, The Muppets, and Sherlock Holmes [2]: A Game of Shadows. In the next few months, I hope to catch Hugo (another retro film that Janice saw), the remake of Tinker, Tailor, Soldier, Spy, and the actioner Haywire.

Looking further ahead, there's planetary romance John Carter, superheroes Avengers and The Dark Knight Rises, dueling fairy tales Mirror, Mirror and Snow White and the Huntsman, James Bond in Skyfall, and of course, The Hobbit [1]: An Unexpected Journey!

Horror and fantasy thrive on TV

Camelot wallpaper

Starz's Camelot

Since horror is one of the more accessible genres, supernatural dramas are perennially popular on television. I've enjoyed BBC America's Being Human, and I can appreciate why SyFy's U.S. version, as well as Supernatural, Vampire Diaries, and HBO's True Blood, all have strong fan bases. I don't know if any of them will have the popularity or influence of Buffy: the Vampire Slayer, but Joss Whedon always had an eye for talent and an ear for dialogue. Greg D.C. has been running a Dresden Files game using FATE.

In fact, after the demise of superhero shows and the struggles of space opera on TV, the networks are again banking on fairy tales and police procedurals for their fall schedules, with Alcatraz, Awake, Gifted Man, Grimm, Once Upon a Time, Person of Interest, River, Secret Circle, and Touch. Never mind that shows such as Journeyman, New Amsterdam, Eli Stone, Reaper, and Eastwick all failed. Of the upcoming shows, I may check out Grimm and Awake.

For more traditional sword-and-sandals action, I wonder how Season 2.5 of Spartacus will manage with a new star. I've seen only the premiere of the fantasy Game of Thrones, which sports strong writing and production values, but Camelot on Starz should satisfy my sword-and-sorcery (and sex) quota and is not to be confused with the BBC/SyFy young-adult Merlin.

Camelot is based on Thomas Malory's Le Morte de Arthur, which isn't my favorite version of the legends, but the series has taken a new look at mythic Britain's romantic intrigues and attempts to establish chivalrous code. I recently enjoyed Tony Hays' The Beloved Dead, the third book in a series of Arthurian mysteries that Janice pointed me to. They're more historical than mystical, like The Last Legion and the 2004 King Arthur.

I've considered including court intrigues in my current Pathfinder/Skype: "the Vanished Lands" telecom fantasy campaign, but the current teleconferencing party is rather low in experience/power level. If I was to run an Arthurian scenario, I might use GURPS Camelot, D20 Legends of Excalibur or Relics & Rituals: Excalibur, or FATE 3e Legends of Anglerre.

As far as scheduling goes, it looks like Friday nights will again be crowded, with Young Justice, Star Wars: Clone Wars, Chuck, Fringe, and Grimm, among others. It's worth remembering that for every successful genre TV show, there are many that never make it out of the pilot phase. What upcoming programs are you looking forward to? Have a good Memorial Day weekend!