Tag Archives: SFTV

Sleuths and con artists abound in 2012 TV

This past year was a busy one for genre television. I had meant to post my first impressions of the new fall season, but I struggled with how to organize it: short lists, or detailed analyses? By subgenre, night of the week, or network? At least a few additional months have given me perspective on the shows I like most and least.

Janice and I tend not to watch a lot of reality shows, situation comedies, crime dramas, or serialized soap operas, so you'll have to look elsewhere for reviews of those types of shows. In live-action TV, we do watch some procedurals, with Masterpiece: Mystery and the second season of the modernized BBC/PBS Sherlock as favorites.

Matt Smith and Benedict Cumberbatch

Doctor Who and Sherlock Holmes

The competing Elementary is decent, if not quite as brilliant as its British forebears. Castle has managed to balance humor and drama, as has White Collar, even though both have occasionally veered too far into gruesome melodrama on the one hand or silly romance on the other. At the same time, I look forward to the goofy shout-outs to the 1980s and '90s in Psych.

I'd put do-gooder capers such as the original Mission Impossible in a closely related category. This includes the recently canceled Leverage (whose tabletop role-playing game is the best implementation of the Cortex system) and Hu$tle. I haven't been following popular detective shows such as Bones and the remake of Hawaii Five-O.

In the related genre of supernatural crime fighters, I thought that the canceled Awake was decent. I prefer Grimm, which has inherited some of Buffy: the Vampire Slayer and Angel's writers and style, to the fairy tale soap Once Upon a Time.

Fringe is in a league of its own, with the mind-bending perspectives of Farscape and the procedural style of The X-Files. I'll miss Fringe, which is at least going out strong. I haven't been following Supernatural.

On the slightly more realistic side, thrillers such as Homeland, Person of Interest, and Last Resort have been pretty good, but I dropped Nikita, which of course outlasted much of its competition. What have you been watching?

Coming soon: More SFTV, animation nation returns, and books and games!

Star Trek: the greatest generation

On Thursday, 29 November 2012, I met former co-worker and fellow blogger Ken G. and members of the Boston Sci-Fi Meetup for dinner, drinks, and conversation at Boston Beer Works near Fenway Park. We then went to the screening of Season 2 episodes of Star Trek: the Next Generation that have been remastered in preparation for the Blu-Ray release. I enjoyed the camaraderie, the special features, and the look back at one of the best space opera TV shows as it reached its prime 25 years ago.

Cast photo for ST:TNG Season 2

Command crew of the starship Enterprise, NCC 1701-D, as of Season 2

"Q Who?" introduced the Borg, who would become one of the franchise's greatest villains. John de Lancie's nearly omnipotent mischief maker played off nicely against Patrick Stewart's Capt. Jean Luc Picard and the rest of the command crew of the U.S.S. Enterprise NCC 1701-D. The remastered special effects were clean, although the colors and lighting seemed a bit too dark at times. The audio was excellent, with the starship sounds more pronounced during the opening credits and space battles.

"A Measure of a Man" included 13 minutes of restored scenes from Melinda Snodgrass' thoughtful script. Jonathan Frakes as Cmdr. William T. Riker, Stewart, and Brent Spiner as Lt.Cmdr. Data all got to shine in their roles exploring android Data's legal rights as a sentient being in the United Federation of Planets. The episode included references to the original 1960s TV series (TOS) and held up remarkably well. I'm glad that Snodgrass' character moments were added back in.

Both episodes showed the crew of the Enterprise growing more comfortable with one another as the storylines improved. While I disagree with the producers and many fans who wanted darker, more conflict-driven episodes in defiance of Gene Roddenberry's wishes, I think Next Gen's (TNG) middle seasons did a great job of balancing character, episodic plots, and Roddenberry's hopeful vision of the future.

The interviews with cast members, bloopers, and glimpses at the restoration process for Seasons 1 through 3 of TNG added much insight. It was nice to see the actors still joking around, learn about why Gates MacFadden was really fired (for protesting sexist scripts), and whet our appetite for remastered versions of "Yesterday's Enterprise," "Sins of the Father," "Best of Both Worlds, Part 1."

Reunion of ST:TNG cast

Reunion of the cast of Star Trek: the Next Generation

Star Trek, including The Next Generation, helped set the template for many other genre television in the decades that have followed. Like Trek, Battlestar Galactica, Stargate, and Babylon 5 had an initially successful military space opera — TOS, the 1970s show, the 1980s movie, and the 1990s TV series, respectively. The best of these showed teams of co-workers become friends as they saved humanity and the galaxy time after time.

Each was followed by a ship-based TV revival (TNG, Ron Moore's BSG, and Stargate SG1), a darker and more intricate stationary show (Star Trek: Deep Space Nine, Caprica, and Stargate: Atlantis) and a weaker return to a ship-based action series (Voyager/Enterprise, Razor/Blood & Chrome, Stargate: Universe, and Crusade, respectively). All had episodes featuring time travel or flashbacks, shared hallucinations, foes turned friends, and many other speculative fiction tropes codified by Trek.

Even space operas that didn't have spinoffs owe a heavy debt to Roddenberry and crew, such as Andromeda, Farscape, and Firefly/Serenity. I've been a fan of all of these shows, but the familial relationships of TNG and Roddenberry's heroic idealism still resonate with me more than many of that show's peers, spinoffs, and successors.

Now that more information is becoming available for the sequel to J.J. Abrams' reboot, I'm still cautiously optimistic. I'd prefer a less villain-driven plot, which looks to use Benedict Cumberbatch's Khan Noonien Singh or Gary Mitchell as an analogue for Osama Bin Laden. Star Trek's final frontier still beckons. Live long and prosper!

Super MegaFest 2012 con report

On Saturday, 17 November 2012, I met Ken G. at the Sheraton Framingham for the tenth annual Super MegaFest. We had a good time at the genre entertainment convention, which had an even stronger lineup of celebrity guests than usual.

I thought the show's organizers did a decent job of handling crowd control, since attendance has grown and space is limited. On the other hand, I did have to wait in several long lines, and I heard some complaints about guests having to wait for rides at the airport.

In addition, the pop culture portions have squeezed the space available to vendors and comic book artists. I've noted previously that support for tabletop role-playing games has all but vanished from such multimedia events, and DVD and toy sellers aren't far behind. I have to admit, though, the assorted actors and artists were a strong draw for me this year.

I had met Kevin Sorbo, the lead of Hercules: the Legendary Journeys, Andromeda, and Kull the Conqueror at a previous con, but Ken and I got to join his joking conversations with other fans and Bruce Boxleitner, who sat at the next table.

I've watched Boxleitner in Tron (including Tron Legacy and Tron Uprising), Scarecrow and Mrs. King, Bring 'Em Back Alive, and Babylon 5. During his panel discussion, Boxleitner gave us insights into Tron and B5, balancing his bitterness toward meddling network TV executives with kudos for his fellow actors and fondness for history. I agree with his statement that there should be more heroic, idealistic space opera on television, continuing in the tradition of John Carter, Star Trek, and Stargate SG1.

I was happy to meet Adrian Paul, star of Highlander: the Series, one of the best modern fantasy TV shows of the 1990s (or indeed any time, in my opinion) and one of the strongest parts of that swashbuckling franchise. He has aged nearly as gracefully as his immortal Scotsman. I told Paul that his former castmate Roger Daltrey was in town performing with The Who. I was surprised that relatively few people sought Paul's autograph, but he was a last-minute addition to the roster.

Dean Cain, best known as Clark Kent/Superman in Lois & Clark: the New Adventures of Superman, was smiling and pleasant to everyone, just as any Superman fan could hope. A bunch of models ran over to get their photos with the beefy actor, who had one of the longer autograph lines at the MegaFest.

Like Boxleitner, Cain was complimentary of his fellow actors during his panel. He talked about being a single father, his own love of history, and how he and Sorbo had both auditioned for the role of Superman. Cain also talked about his and Christopher Reeve's cameos on Smallville and wished Henry Cavill good luck with the upcoming Man of Steel.

Speaking of TV superheroes, I found John Wesley Shipp from The Flash to be very friendly. It's hard to believe that close to 20 years have passed since that wave of live-action superheroes on TV, which arguably paved the way for more recent cinematic blockbusters such as The Avengers.

The guest of honor was Stan "the Man" Lee, co-creator of Marvel icons such as Spider-Man, the Fantastic Four, and the X-Men. After waiting in long lines, Ken timed my photo op with him at 6 seconds, but it was nice to exchange words with one of the most recognizable comic book creators.

At the Boston Super MegaFest 2012

Greetings, true believers! Excelsior!

I was out of cash after getting various autographs, so I didn't buy anything else at this year's con. (Not to mention, I've had a busy year, from the Boston Comic Con and Steampunk City to the Rhode Island Comic Con.) There were lots of other actors, models, and fans in costume to see and talk to.

Coming soon: More belated game updates and Skyfall review. Have a safe and Happy Thanksgiving!

The Force is strong with the Mouse House…

By now, genre entertainment fans may have seen the news that Disney is buying Lucasfilm for $4.05 billion. I've already seen lots of snarky comments online, but this purchase might be good for the franchise, and by extension, space opera.

Disney buys Lucasfilm

George Lucas and Walt Disney's creations

I have no love for megacorporate deals, some of Lucas' more stilted dialogue, or the "nerd rage" of many fans. Get over Jar Jar Binks already — yes, the character is unintentionally offensive, but most small children I observed loved him as previous ones loved R2-D2, Yoda, or Ewoks.

My sources have hinted that Disney has been interested in Lucasfilm for some time, for much the same reason it recently bought Marvel Comics — as intellectual property to mine for profitable ideas.

On the other hand, the fact remains that the Star Wars movies and multimedia helped rescue science fiction from obscurity in the late 1970s, and Lucas handing off his creation to the next generation of directors isn't necessarily a bad idea.

Lucas has shown greater wisdom when collaborating with other writers than when tinkering with his earlier works, as the excellent Young Indiana Jones Chronicles and Star Wars: Clone Wars demonstrate.

The "expanded universe" of Star Wars novels, comic books, games, toys, and TV shows has generally maintained consistent quality (notwithstanding the occasional cheesy Christmas special). As much as I love other franchises from my youth, such as Doctor Who, Star Trek and Planet of the Apes, I've become more of a Star Wars buff.

We'll have to wait and see if Disney's "Episode VII" and other sequels continue the dreams born from a kid in California watching old Flash Gordon serials or whether the worst fears of hypercritical fans are again realized. May the Force be with us — always!

Gene the Christmas Jedi

As a Jedi, Christmas 2009

Catching up: San Diego Comic-Con 2012 reflections

Superheroes and villains have been in the news a lot lately. My heart goes out to the families of the victims of this past weekend's shooting tragedy in Colorado. Let's look back for a moment to happier times.

San Diego Comic-Con 2012 included the usual movie and television previews, toys and games, large numbers of brave fans in costume (also known as cosplay), and even some comic book announcements. Although I missed Spike TV's coverage a few weeks ago, I caught much of G4's programming, including its three-hour block on Saturday, 14 July 2012.

The CW's upcoming "Arrow" TV series

The CW's upcoming "Arrow" TV series

Movies

Of the movies previewed, I've become more interested in the science fiction remakes Total Recall and Dredd, as well as animated comedies ParaNorman, Hotel Transylvania, and Rise of the Guardians. A few other flicks caught my eye, including Django Unchained, Looper, Elysium, and Pacific Rim.

Of course, there are the obligatory prequels and sequels, including James Bond in Skyfall, comic book superheroes Iron Man 3 and Thor 2, Star Trek 2, and last but not least The Hobbit: An Unexpected Journey and The Hobbit: There and Back Again.

Live-action TV

With the recent genre TV season ended, it was bittersweet to look back at departed or soon-to-end series such as Awake, Fringe, and Spartacus. Fortunately, there are lots of new shows to look forward to this fall, including supernatural melodrama 666 Park Ave. and postapocalyptic Revolution.

I'm a longtime fan of DC Comics' Green Arrow, so I'll definitely try the CW's Arrow, which gives Oliver Queen the Batman Begins/Smallville treatment. I hope that it can focus more on Ollie's awakening as a champion of social justice and archery prowess and less on the soap opera aspects, but the trailers are a mixed bag.

Of course, there's lots to watch in the meantime, like midsummer cable shows such as Leverage, Warehouse 13, Alphas, and White Collar. As a longtime "Whovian," it's nice to see the cast of Doctor Who (and Torchwood) treated as returning heroes. We'll see whether CBS's Elementary will be a worthy companion to the BBC and PBS's Sherlock and Masterpiece: Mystery.

Beyond the speculative fiction of Fringe, other procedurals with twists that I recommend include Castle (fanboy shippers), Person of Interest (domestic espionage), and Grimm (modernized fairy tales).

Cartoons

I'm disappointed that Batman and the Brave and the Bold and Avengers: Earth's Mightiest Heroes are being replaced so soon, but at least Young Justice and Green Lantern: the Animated Series will be joined by new lighthearted Teen Titans Go! episodes. As I've mentioned before, Star Wars: the Clone Wars is carrying the torch for space opera on TV and continuing to expand George Lucas' universe.

I've enjoyed the worldbuilding of Avatar: the Legend of Korra and the underrated Tron: Legacy. I suspect that the next animated Teenaged Mutant Ninja Turtles will be better than the live-action revision would have been.

Comic books

In comic books discussed around Comic-Con, I'm amused that Marvel is also doing a "soft reboot" with its "Marvel Now" after the much-criticized "DCnU" of the past year. I'll be sorry to see Ed Brubaker leave Captain America, which he presented as a technothriller, and I hope that Marvel can rein in its proliferating Avengers and X-Men titles.

I'm still sifting through various "Batfamily" issues, but I've enjoyed some of DC Comics' series after its continuity revision. Superman and Wonder Woman have benefited most from de-aging and new creative teams, and (some) Green Lantern and the Flash have changed the least. DC's treatment of its female characters and younger teams still leaves something to be desired, however.

Of the comics from publishers other than the "big two," I've enjoyed the Star Trek: the Next Generation/Doctor Who — Assimilation crossover, the similarly retro Steed and Mrs. Peel, and Brian Wood and Becky Cloonan's atmospheric adaptation of Conan the Barbarian: Queen of the Black Coast.

I've been busy with work, games, and summer activities, but I hope to post my belated reviews of The Amazing Spider-Man and The Dark Knight Rises soon!