Tag Archives: review

Interstellar review

On Saturday, 15 November 2014, I met Thomas K.Y. & Kai-Yin H. for a matinee of Interstellar at the Jordan's IMAX theater in Framingham, Mass. We liked the relationship-focused highbrow science fiction film.

Plot

Interstellar follows Cooper, an astronaut turned farmer in an unspecified near future in which human spaceflight has faltered because of the urgency of feeding billions amid severe ecological degradation.

Widower Cooper's son Tom is content to become a farmer, but his restlessness is mirrored in his daughter Murph. Despite being science-minded in an era focused on mere survival, Murph claims that a poltergeist is trying to send her messages.

An errant surveillance drone leads Cooper and his children to a secret NASA base, where his former colleague Prof. Brand and his daughter are working on sending a second wave of explorers through a newly discovered wormhole near Saturn to find inhabitable planets.

Aware of the relativistic effects of faster-than-light interstellar travel, Cooper gets his father Donald's blessing and reluctantly leaves with the younger Brand and a small crew to try to save humanity….

Interstellar poster

Christopher Nolan's latest SF movie

Cast

The cast of Interstellar is uniformly solid, with several actors from past Christopher Nolan productions. Matthew McConaughey is grounded as Cooper, despite the talk of imminent Armageddon, wormholes, and love and gravity transcending the dimension of time.

John Lithgow and Michael Caine are Cooper's father figures as Donald and Prof. Brand, respectively. Anne Hathaway is emotional but strong as the younger Brand, and Mackenzie Foy plays a young Murph (named after Murphy's Law — "Whatever can happen, will").

As more time passes on Earth while the subjective time of the astronauts is shorter, the adult Murph is played by Jessica Chastain, and Casey Affleck is the older Tom. Murph and Tom react in different ways to their father's absence. Matt Damon plays Dr. Mann, "the best of us" and part of the first wave sent through the wormhole.

Bill Irwin is also noteworthy as the voice of TARS, a former military robot among those retasked with helping the laconic Cooper's mission. He brings a sense of snarky humor and potential menace to the proceedings, referring directly to HAL from 2001: A Space Odyssey.

Direction

Christopher Nolan's meticulous style is similar to that of 2001's Stanley Kubrick or Prometheus' Ridley Scott. He's more comfortable with high-concept speculative fiction in movies such as Inception, Duncan Jones' Moon, or Rian Johnson's Looper than with the emotional content of Steven Spielberg's best.

Viewers waiting for action and suspense have to wait a while before the three-hour-long movie gets to it, and the parallels between Coop and Murph and Prof. Brand and his daughter are pretty obvious. When Donald or Prof. Brand fulminate on the human condition and our need to explore the universe, it's clear that's what Nolan thinks.

Still, even if I agree with the sentiment and understand some of the underlying science, I'd rather he spent less time explaining and more time engaging the audience. Overall, Nolan handles his cast and the narrative jumps in time well, but Interstellar feels more technical than passionate, and he's unlikely to persuade any who might disagree.

Cinematography

Nolan's true strength is with creating a believable universe. As with last year's excellent Gravity, space travel is shown to be difficult, dangerous, and ultimately worthwhile. The psychedelic imagery during the wormhole travel is mercifully brief.

The visualization of "Gargantua," a black hole around which some potential homeworlds orbit, is excellent. Any good science fiction movie should show us something we haven't seen or maybe even haven't imagined before. Much of the science is sound, and the distant planets reminded me of some documentaries about hazardous arctic exploration.

Sure, one could quibble with the environmental science, the description of gravitic propulsion, and the late appearance of O'Neill cylinders in the movie, but I was glad to see this movie on an IMAX screen with a full house. As other reviewers have noted, like Big Hero 6, some of the best parts of Interstellar are when it shows people using science to try to solve problems or mysteries.

Soundtrack

As with Inception and many recent action movie trailers, Interstellar had the booming "bwong, bwong" sound to underscore important moments. I could have done without that, but I have to admit that the IMAX theater's "rumble seats" were nice for the scenes when Cooper and company were flying by the seats of their pants.

There is no music quite as memorable as "Thus Spake Zarathustra" from 2001 or Vangelis' themes in Blade Runner. As in Gravity, I liked the absence of sound during some of the space scenes.

Rating

I liked Interstellar more than Elysium and about the same as Contact, to refer to two Jodi Foster SF movies. It's definitely part of a wave of more serious speculative fiction, providing a nice balance to the explosions of Star Trek: Into Darkness or comedy of Space Station 76 while I wait for the next cyclical revival of classic space opera.

I'd give Interstellar, which is rated PG-13 for some violence, a 7.5 to 8 out of 10, three and a half out of five stars, or a B+. I think that some critics were overly harsh, but I'm also more of an SF buff than the general audience.

Speaking of which, I'm still enjoying Jonathan Nolan's cyber-dystopian Person of Interest on television, and I'm cautiously optimistic about his adaptation of Isaac Asimov's Foundation for HBO. Also, it is with some sadness that I note the passing of Glen Larson, who created the original Battlestar Galactica, Buck Rogers in the 25th Century, and many of the other genre TV shows I grew up on.

Belated 2014 Star Trek convention report

I had a good time at this past summer's Creation Star Trek Convention in Boston, even though the actors I was most interested in meeting — Deep Space Nine's Avery Brooks, Quantum Leap and Enterprise's Scott Bakula, and Into Darkness and Being Human's Karl Urban — all canceled at the last minute.

Other cancellations included Voyager's Kate Mulgrew and Into Darkness' Bruce Greenwood. Still, the show was entertaining enough for any longtime Star Trek fan, and I wasn't expecting this year's event to live up to last year's reunion of most of the Next Generation cast with moderator William Shatner (whom Janice and I just saw at the Rhode Island Comic Con).

Most of the guest stars this time around were from the casts of Star Trek: Voyager and Enterprise. Last year, I went with fellow blogger Ken G., who this year attended on Saturday, June 21, but I was busy with Free RPG Day. As usual, there were many excellent cosplayers.

Star Trek cosplay

Capt. Tzu Tien Lung and Adm. Montgomery Scott

Fortunately, I had gotten a discount ticket for this year's event, and I still got to meet Deep Space Nine's Nana Visitor (Maj. Kira Nerys) and Terry Farrell (Lt.Cmdr. Jadzia Dax). Much of the cast of Voyager was also present, and Max Grodenchik and Aron Eisnberg did a hilarious standup routine as Ferengis Rom and Nog, respectively.

Star Trek 2014 photo op

Nana, Gene, and Terry

As with most genre entertainment conventions lately, there was a big crowd and numerous cosplayers. In fact, last year's Super MegaFest got so crowded that it was often a challenge to move around the Sheraton in Framingham, Mass. Fellow blogger Ken G. and I did get to meet Manu Bennet from Spartacus and Arrow, Barbara Eden from I Dream of Jeannie, among others.

Even though Waltham's annual steampunk festival was canceled this spring because of finances and construction downtown, we haven't lacked for other shows, such as the funny Monty Python reunion concert that was simulcast in U.S. theaters. Creation will be taking a year off and returning with a major Star Trek confab in Las Vegas to celebrate the franchise's 50th anniversary in 2016.

This year's Star Trek convention was inspirational, since I've been running occasional "episodes" of my "Star Trek: Restoration" space opera scenario.

We'll see what genre entertainment events I get to next year, and I've found it easier lately to follow the news online from huge events such as the San Diego Comic Con rather than deal with traveling to them.

Big Hero 6 review

After the Boston Christmas Craft Festival this past Saturday, 8 November 2014, Janice and I went to the Showcase Cinema de Lux in Dedham, Mass., for lunch at B. Good Burgers and Big Hero 6. We liked the animated superhero movie, which is one of the best since Incredibles.

Big Hero 6

Disney's latest animated success

Plot

Loosely based on a title published by Marvel Comics, Big Hero 6 follows Hiro Hamada, a teenage underachiever who spends his time in underground robot fights in the city of San Fransokyo. A visit to his older brother Tadashi's university impresses Hiro, who applies his genius to designing "microbots" to gain admission.

Tadashi has been designing Baymax, a cuddly android intended to help with medical emergencies. Hiro gets help from his brother and new friends at the university, but his successful demonstration is marred by the rivalry between Prof. Robert Callaghan and entrepreneur Alistair Krei and a devastating fire….

As you may have seen from the previews, Hiro and friends soon work with Baymax to defend San Fransokyo from a supervillain….

Cast

The voice cast includes a few celebrities, but they weren't readily identifiable or distracting, and the characters are well-developed in both voice and visual design. Ryan Potter is a typical adolescent as Hiro, with moments of stubbornness and sentiment. Scott Adsit is cheerful and surprisingly insightful as Baymax.

Other actors include Jamie Chung as daredevil student GoGo Tomago, Daon Wayans Jr. as big control freak Wasabi, and Maya Rudolph as Hiro and Tadashi's loving but distracted Aunt Cass. Star Trek: First Contact's James Cromwell lends gravitas as Prof. Callaghan, and Firefly/Serenity's Alan Tudyk is Alistair Krei.

Direction

Directors Don Hall and Chris Williams wisely decided to set Big Hero 6's San Fransokyo in a pocket universe rather than the live-action Marvel cinematic universe. While there are many nods to conventional comic books and anime, Big Hero 6 stands on its own.

Like Pixar's Incredibles, Big Hero 6 presents superhero and science fiction tropes in an energetic way, with tragedy outweighed by the responsibility and fun of doing good. I was also pleased to see young scientists portrayed in a positive way. The story feels fresh, even if it the final act is predictable.

Cinematography

The character faces will be familiar to anyone who has seen recent Disney/Pixar films such as Ratatouille or Brave, but that's no different than the house styles used by Aardman, DreamWorks, or Sony.

As each animated movie tries to top its predecessors for "eye candy," Big Hero 6 stands out in the design of Baymax, who exhibits a surprisingly wide range of emotions despite looking like the Stay Puft Marshmallow Man, not unlike Wall-E.

The other area in which Big Hero 6 is noteworthy is its design of San Fransokyo and the nascent superhero team. Animators have been wisely avoiding the "uncanny valley" with cartoonish characters, but the hyper-realistic settings and frenetic action surpass most recent live-action movies. Big Hero 6 resembles a video game, but in this case, I don't necessarily mean that as a putdown.

Soundtrack

Composer Henry Jackman combines traditional movie music with pop styles, aided by the track Immortals by Fall Out Boy. The score also keeps up with the action and raises the emotional stakes when needed. Even though Big Hero 6 isn't exactly a Disney/Marvel flick, there is a cameo after the final credits.

Rating

I'd give Big Hero 6, which is rated PG for action, 7.5 out of 10, three and a half out of five stars, or a B+. While The Lego Movie, The Boxtrolls, and The Book of Life were arguably more original, I found that this Disney movie did a better job of capturing the fun of superhero comics than, say, Man of Steel or X-Men: Days of Future Past.

Big Hero 6 beat Christopher Nolan's Interstellar at the box office, but I hope to see the latter film with Thomas K.Y. and friends next weekend. Speaking of the uncanny valley, I'll probably skip Paddington and Penguins of Madagascar, but Minions does look amusing.

The Book of Life review

On Saturday, 18 October 2014, Janice and I went to the AMC Burlington Cinema 10 for an early matinee of The Book of Life. We enjoyed the movie, which is the latest in a strong year for animation.

The Book of Life

Fondly remember the dead

Plot: The Book of Life begins in a modern-day museum as a clever guide gives a bunch of bored schoolchildren are some insight into Mexican lore. The story then shifts to puppet-like characters in a tale full of swashbuckling romance and otherworldly adventures.

Manolo, Maria, and Joaquin are three young friends in the village of San Angel, but they are driven apart by their parents' expectations and two meddling immortals, La Muerte, ruler of the Land of the Remembered, and Xibalba, ruler of the Land of the Forgotten.

Reunited as adults, matador Manolo would rather be a musician, and Joaquin is a decorated soldier, as was his late father. Maria returns from Spain and is wooed by both Manolo and Joaquin, but Xibalba's schemes and vicious bandit leader Chakal send Manolo on a quest through the lands of the Remembered and Forgotten….

Cast: The summary above doesn't do justice to The Book of Life's twists, colorful visuals, and strong acting. Diego Luna is properly soulful as Manolo (reminding me of Antonio Banderas), and Channing Tatum plays on his image as good-natured hunk Joaquin (not unlike Kevin Kline). Zoe Saldana is spunky as Maria, who refuses to be the passive object of the two guys' affections and rallies San Angel against Chakal's horde.

They are supported by experienced voice actors Kate del Castillo as seductive La Muerte, Ron Perlman as fearsome Xibalba, and Hector Elizondo as Manolo's bullfighter father Carlos Sanchez.

In addition, Christina Applegate plays the museum docent Mary Beth, Ice Cube is the benevolent Candle Maker, and other characters are voiced by Danny Trejo, Cheech Marin, and even opera singer Placido Domingo. There is some slapstick, but nothing really offensive.

Direction: Jorge Gutierrez does a decent job of pacing, from the initial prologue through Manolo's eye-popping arrival in the Land of the Remembered through his more conventional final confrontations with Joaquin and Chakal.

Since Guillermo del Toro was a producer, it's no surprise that the expansive scale, Mexican mythology, and emotional heart of The Book of Life are so well-handled. I was interested to see mentions of feminist and animal-rights ideas balanced against elements harking back to ancient Mesoamerica and even Greece and Rome.

Death is shown as not something to be feared, but as part of life. True heroism requires sacrifice, and respect for family and true love still conquer all. None of these messages come as any surprise, but they are delivered in a piñata of action.

Cinematography: Make no mistake, though, the fast pacing and clever visual effects are mainly for a younger audience. As I noted above, this year has been a particularly strong one for animated movies, including The Lego Movie, Frozen, The Boxtrolls, and now The Book of Life. (I'd put Mr. Peabody & Sherman and How to Train Your Dragon 2 only slightly behind them.)

The inventive character designs and divergent settings (San Angel and the lands of the Remembered and the Forgotten) are still impressive in an era when we've gotten used to hyper-realism or highly stylized computer and stop-motion animation.

Soundtrack: The music of The Book of Life is a great blend of Latin, classical, and pop tunes. Normally, I wouldn't like the inclusion of the latter, but all three styles manage to help both the humor and romance of this movie.

Rating: The Book of Life is rated PG for rude humor and scary images. I'd give it an 8.5 to 9 out of 10, four out of five stars, or an A-. I liked it slightly more than The Boxtrolls and close to The Lego Movie. I'd strongly recommend The Book of Life to anyone who's young at heart.

After the movie, Janice and I went to the Tex-Mex Border Café for lunch. (We also had Besito and Chipotle as options nearby.) I hope to eventually catch The Tale of the Princess Kaguya, which is in limited release, and Big Hero 6.

The Boxtrolls review

On Saturday, 27 September 2014, Janice and I met newlyweds Thomas K.Y. and Kai-Yin H. at the refurbished AMC Burlington 10 multiplex for The Boxtrolls. We enjoyed the stop-motion fantasy film.

the Boxtrolls

Charming animated film

Plot: The Boxtrolls opens with what looks like a child being abducted by monsters in the teetering town of Cheesebridge. However, viewers soon learn that the Boxtrolls, so named because they wear discarded cardboard boxes, are not malicious, merely subterranean scavengers and grotesque goblins.

The child becomes a boy named Egg (for the box he threatens to outgrow), even as Archibald Snatcher uses the supposed abduction to whip up hysteria to further his own nefarious ambitions. Unfortunately, the villain is allergic to cheese even as he years to join the town's "white hats," or cheese-tasting ruling council (reminding me of the inventor in Aardman's Wallace and Gromit series).

As more and more Boxtrolls are captured by Snatcher's dimwitted henchmen, Eggs encounters a girl, Winnie, the daughter of mayor Lord Portley-Rind. She helps him understand the human world, fight Snatcher, and learn about the true circumstances of his kidnapping.

Cast: The colorful characters, whose names could be from a Dickensian or Harry Potter novel, are voiced by a strong mostly British cast. Isaac Hempstead-Wright plays courageous Egg, and Elle Fanning is the plucky Winnie.

Ben Kingsley is the loathsome Archibald Snatcher, who sometimes disguises himself as a woman in an attempt to infiltrate Cheesebridge's high society. His henchmen, the large Mr. Trout, the self-doubting Mr. Pickles, and the pugnacious Mr. Gristle, are played by Nick Frost (The World's End), Richard Ayoade (The IT Crowd), and Tracy Morgan (30 Rock), respectively.

Jared Harris (Sherlock Holmes: A Game of Shadows, Fringe) isLord Portly-Rind. None of the actors was particularly recognizable in their roles, but all gave expressive performances matched by their cartoonish avatars.

Direction: The Boxtrolls, which is based on Here Be Monsters! By Alan Snow, was directed by Graham Annable and Anthony Stacchi. They do a good job of juggling action, physical and verbal comedy, and pathos with an absurdist tone with some social commentary — some critics have noticed the strong resemblance between Cheesebridge and Terry Gilliam's dystopian fantasies.

Cinematography: As one might expect from Laika, the animation studio that produced Coraline and ParaNorman, the stop-motion is excellent, with 3-D printed faces and light computer-enhanced imagery making this one of the smoothest and most baroque-looking films of its type so far.

I liked the environment and character designs, which are reminiscent of Tim Burton's Nightmare Before Christmas or The Pirates! Band of Misfits without being derivative. The closing credits give some insight into the laborious process. The Boxtrolls' Rube Goldberg inventions, including Snatcher's steampunk menace, are fun to watch.

Soundtrack: The music helps keep the action suspenseful, and the title and closing credits help set the tone for a fun, if bizarre adventure. Fittingly, Monty Python's Eric Idle wrote the title song. (Janice and I recently enjoyed the final simulcast of that comedy troupe's farewell concert.)

Rating: The Boxtrolls is rated PG for some gross humor and scenes of peril. While I agree that the story for The Boxtrolls isn't as tight or as clever as that of Coraline or ParaNorman, I'd still compare it favorably with most of the genre. I'd put it slightly below The Lego Movie as my favorite animated movie of the year so far, at a 7.5 or 8 out of 10, a B+/A-, or four out of five stars. I'd definitely recommend The Boxtrolls to fans of British humor and animation.

One of the films I'd like to catch next in the theater is The Book of Life, which is computer-animated rather than stop-motion, but it still looks bright and fun.

After the movie, we went to Besito, a new Mexican restaurant in the Burlington Mall that we all liked. Also this past weekend, Janice and I walked the Minuteman Trail in Lexington, Mass. I know I'm behind on reporting on conventions, seasonal festivals, and more, but I'll try to catch up, even as the new genre television season begins!